The world of OC is divided between the Compound and the Pleeblands.
MODO LIDIO DRIVER
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Theme: Takin' It Easy - Theme answers are three-word phrases with the pattern "R-word and R-word." 17A: Music genre that evolved in the '50s (ROCK AND ROLL).
M O N D A Y November 29, 2010Jeff Chen. 
Author: Ghostrider Summary: What happens when your heart is ripped apart by those you love? A slayerette's return after years of absence causes old wounds to be ripped open.
Home and Heart A Buffy the Vampire Slayer story. An unusual breed of fruit bat - previously nicknamed 'Yoda' due to its resemblance to the Star Wars Jedi Master - has now officially been registered as a new species and renamed the happy (Hamamas) tube-nosed fruit bat. Here I’ve choose Eb Lydian and I’ve indicated the implicit harmonization I had in mind, especially using the major chords Eb and F ( I – II) that alone define the Lydian mode at the same time I’ve avoided the Bb chord that could have shifted the modal center towards a Bb Ionian sound. (You can listen to it playing the video on top of this page) Nonetheless, the harmonic thinking starts from the melodic idea, so it is always wise to approach any new topic from the beginning if you wish to really grasp it.įor this reason I’ve written a melody 8 bars-long clearly recognizable as “Lydian” even without the chords supporting it. We are generally used to a backward approach, that is starting from an harmonic progression and then playing on top of it, moving through the scale and searching for the “right” note. I find that, to really understand modal theory while avoiding the typical error of considering modality and tonality somewhat the same, is very useful to start from a melodic idea. Triads and seventh chords are displaced as follows on the scale degrees: I If we are dealing with the Lydian scale we are clearly talking about a mode, so the only thing to remember is to make the I chord the pivot of the harmonic progression, going back to it with some frequency or using the root as a pedal. I’ve already mentioned the difference between tonal and modal harmony, which makes possible the distinction between a piece written in a Major tonality and one in Ionian mode and basically derives from a different use of the same seven chords (for instance in C Major and C Ionian). The intervallic structure is then T – T – T – S – T – T – S, while its degrees are 1 – 2 – 3 – #4 – 5 – 6 – 7.Īs always, let’s start from the fingerings on the guitar. < span data-mce-type=”bookmark” style=”display: inline-block width: 0px overflow: hidden line-height: 0 ” class=”mce_SELRES_start”> < /span> Lydian is one of the major modes of the diatonic scale (having a Major 3rd) and its typical feature is the augmented 4th, the only degree that changes from the Major scale (or Ionian mode).
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